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This effectively brought an end to the studio system of Hollywood's Golden Age. These three films provided the major Hollywood studios with both an example to follow and a new crop of talent to draw from. The New Hollywood generation soon became firmly entrenched in a revived incarnation of the studio system, which financed the development, production and distribution of their films. This initial successes paved the way for the studio to relinquish almost complete control to the film school generation and began what the media dubbed " New Hollywood. Still, even with a broadening of the company, UA struggled. In , a young filmmaker named George A. Thus UA did not have the overhead, the maintenance or the expensive production staff which ran up costs at other studios. The American company S. UA went public in , and as the other mainstream studios fell into decline, UA prospered, adding relationships with the Mirisch brothers, Billy Wilder , Joseph E. With the addition of Griffith, planning began, but Hart bowed out before things had formalized. Likewise, Zoetrope was another "independent studio" which worked within the system to make a space for independent directors who needed funding. The corporate mentality these companies brought to the filmmaking business would slowly squeeze out the more idiosyncratic of these young filmmakers, while ensconcing the more malleable and commercially successful of them. In the early s, New Line Cinema agreed to work with him on Polyester The Society aimed to preserve the rights of independent producers in an industry overwhelmingly controlled by the studio system. This left exhibitors the option of playing them alone, to view an incomplete combination of some films, or to run them all together as a short film series. It was a complex, time consuming, and expensive process that many movie studios were not eager to try. By promising sex , wanton violence , drug use , and nudity , these films hoped to draw audiences to independent theaters by offering to show them what the major studios could not. By over feature films were produced annually in the United States. They were spurred on by the actions of established Hollywood producers and distributors, who were making moves to tighten their control over their stars' salaries and creative license. Peter Bogdanovich bought back the rights from the studio to his film and paid for its distribution out of his own pocket, convinced that the picture was better than what the studio believed — he eventually went bankrupt because of this. Until his so-called "retirement" as a director in he continued to produce films even after this date he would produce up to seven movies a year, matching and often exceeding the five-per-year schedule that the executives at United Artists had once thought impossible. When he returned to America, Ken Anger would debut many of his most important works there. The original terms called for Pickford, Fairbanks, Griffith and Chaplin to independently produce five pictures each year, but by the time the company got under way in —, feature films were becoming more expensive and more polished, and running times had settled at around ninety minutes or eight reels. While most members of the New Hollywood generation were, or started out as, independent filmmakers, a number of their projects were produced and released by major studios. Because of this, many of their films would be shot on location. In , the United States Supreme Court Paramount Decision ordered the Hollywood movie studios to sell their theater chains and to eliminate certain anti-competitive practices. Since , the country with the highest feature output has been India ,  which produces a thousand films in more than twelve Indian languages each year.
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