Available for purchase in the Gallery store. For five centuries Chinese emperors called the Forbidden City — , located in the heart of Beijing, their home. Take an in-depth look at these exquisite works of art from Beijing's Palace Museum.
In his private chambers, the emperor also communicated his virtuosity to the world through the composition of poetry, the signing of political documents and the creation of calligraphy, examples of which are on view in Texting. The exhibition is curated by Dr. In addition, the Gallery tours a few of its exhibitions each year. Inside the Court of China's Emperors. The ornately decorated objects of daily living in the Forbidden City are displayed in Consuming—from a jade teacup to a dog's coat or the emperor's gilded footbath, these objects were wildly expensive and finely crafted for the use and amusement of the imperial household alone. Entering the exhibition we meet the greatest triple generation of emperors in Chinese history, from the Aisin-Gioro family, as it is largely their Forbidden City that we know today as the Palace Museum. Inside the Court of China's Emperors offers a glimpse of an iconic and long-hidden era of Chinese cultural history. In a typical year, 2 to 3 exhibitions are borrowed from other institutions and 10 to 12 exhibitions are developed in-house, drawing on our permanent collection and loans of works from around the world. Take an in-depth look at these exquisite works of art from Beijing's Palace Museum. This section includes clothing, scene paintings and personal adornments associated with the all-important task of producing an heir to the throne. Conceived for Vancouver audiences by Asian scholar Timothy Brook, the exhibition leads visitors through the realms of the Imperial Palace in nine key sections. Exhibition Proposals The Vancouver Art Gallery presents exhibitions of work by artists ranging from historic masters to leading-edge contemporaries. Visionary Partner for Scholarship and Publications: Available for purchase in the Gallery store. These include major thematic exhibitions, presentations of solo artists and smaller, more focused showcases. With only the emperor, his household and special visitors allowed inside its walls, this immense palace captured the world's attention for its power, wealth and mystery. Selected from the vast collections of Beijing's Palace Museum, the exhibition showcases nearly precious works from the Forbidden City that have rarely been seen outside of China. In order to rule an expansive empire the emperor required a powerful army, made evident in the Warring section, which features ceremonial armour and weaponry. For five centuries Chinese emperors called the Forbidden City — , located in the heart of Beijing, their home. In Symbols, we see the colours, dress and iconography that were reserved for only the emperor, followed by Lineage, which explores the way of life of the empresses and concubines who lived in the Inner Courts and served the emperor. This touring exhibition—which drew , visitors to the Royal Ontario Museum in the spring and summer of —has been reimagined for its presentation at the Vancouver Art Gallery and includes 80 objects not previously shown in Canada. In Reigning we encounter the seat of imperial power within the Forbidden City, the emperor's throne, as well as the symbols and extraordinary icons the emperor used to demonstrate his power to the outside world. To enter the Forbidden City was to enter the theatre of imperial power, replete with processional bells and chimes. The exhibition closes with Farewell My Emperor, a parting reflection on the end of imperial China and the last emperor of the Forbidden City.
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